A subsequent fulfilment of a pre-historic wish / 16 mm / Stereo / 2015 / 9:23 min

1.A Dance
2.Rituals
2.1.La Fatigue
2.2.Death
2.3 Nature
3. An(n)a
4. http://25.media.tumblr.com/tumblr_lya4bz10MG1qzdstpo1_500.jpg
5. a lost Artwork

"3 bis 4 Namen. Immer taucht sie auf. Im Park, eine Revolution. In der Natur ein Mythos.
Im Film ein Gesicht. Hier, hier und hier. Der Tod. Immer taucht er auf. Hier, Hier und Hier.
Das Leben. Selten kommt es zu einem zurück.

A subsequent fulfilment of a pre-historic wish ist ein Film über den dubiosen Tod einer weibliche Künstlerin. Ein namenloser Erzähler begibt sich auf die Spurensuche, schweift durch die fragmenthaften Sequenzen aus Ritualen, Schamanismus, Natur und Tod und findet nichts außer die Stücke einer zerbrochenen Erinnerung. Der Film nimmt Bezug auf Ana Mendieta und auf die Bedeutung von Tod, Flucht, Spiritualtität, Zugehorigkeit sowie auf die politische Gegebenheiten. Eine verbindende Spur, eine Zeitschleife, zwischen dem Tod einer Künstlerin und die Frage rund um Tod und Verlust innerhalb der historischen und gegenwärtigen politischen Verhältnissen. Das Lückenhafte als Verbindung zum rätselhaften unaufgeklärten Tod. Ein Film als Spurensuche.

A subsequent fulfilment of a pre-historic wish is a Film about an female artist who died in a dubious accident. Connected in time trought the layers of rituals, nature, death and fragments of remembrance, a narrator searchs for her and a lost artwork and finds nothing more then pieces of a broken memory. The film revolves around Ana Mendieta, deals with the question of identity, spirtuality, fleeing and belonging and relates to current political situations. A connected track, a time loop, between the death of an artist and the question of death and losing within the historical and present politics. A Film in search for the traces of baffling death.

Diagonale Film Festival, Austria, 2016
"Propelled by the work and mysterious death of the artist Ana Mendieta, Johannes Gierlinger reflects in minimal, substantial images on loss and memory, on the relationship between nature, art, and death. With subtle melancholy, the film searches for traces left behind by the artist—although not tangible, her presence can be felt in all of the images. A search that is like visual poetry.”

Rainer Kienböck, Jugend ohne Film
"Gierlinger searches for the Spanish-American artist Ana Mendieta, and this not in the form of a filthy artist biography, but rather free, poetic, associative. The rich colors and grainy 16mm film determine the frames of the film, on the soundtrack thoughts that can be loosely associated with the artist and her mysterious death. Regardless of that, the film works as a sensual film poem about art, life, game and revolution."

Karin Riegler, Vice-Rector for Education- Academy of Fine Arts Vienna
"To speak about this film as ambiguous would be an understatement. In fact we are confronated with a variety of soils -
faced - layers. [...] this film can be read as a commentary on the artistic exploration of Ana Mendieta and her work of the last 30 years."

Kim Knowles, Edinburgh Int. Filmfestival - Black Box Section
"Told through a series of enigmatic tableaux, this film is inspired by the work of the artist Ana Mendieta who died in a dubious and controversial accident that provoked a wave of feminist protest. The filmmaker searches for the traces of the artist through fragments of memory. A meditation on nature, identity, and loss."

Francesco Cazzin, L´emerge del possibile
"Have you ever lost something? This is the fundamental question at the end of the film and it maintains the opportunity,
that we are existing. To ask this question means you admit a doubt, the doubt that things could not be like that; and
Gierlinger is virtuoso by the moment in which he discovers that everything that has been lost is exactly the art."

Doku.Arts Film Festival Zeughauskino Berlin
"Gierlinger picks up the significant elements of Mendieta’s art – nature, death, spirituality, ritual – and thus links the fate of
an individual to the universal human experience of loss and death."


Written and directed by Johannes Gierlinger Cinematograhpy & Editing by Johannes Gierlinger
Sound Design by Flo Kindlinger Narration by Bronia Iwanczak Production Assistance by Eva Sommer
Music by Broken Jokes Percussion by Christian Martinek & Moussa Kone Produced by Johannes Gierlinger
with Lilith Friedmann, Yusimi Moya Rodriguez, Frank Rottmann

Supported by the Academy of Fine Arts Vienna, Mumok Vienna and Land Salzburg

∣ Screenings ∣ Exhibitions ∣

Mumok Cinema - Museum of Modern Art Stiftung Ludwig Vienna, 2015, Austria

Kunstforum BA Vienna - Tresor, 2015, Austria

Diagonale, Festival des Österreichischen Films, 2016, Austria

Edinburgh International Film Festival - Black Box Section, 2016, UK

Doku.Arts - Essaydox Berlin, 2016, Germany

Pravo Ljudski Film Festival Sarajevo, 2016, Bosnia and Herzegovina

L'Alternativa, Festival de Cinema Independent de Barcelona, 2016, Spain

Austrian Cultural Forum New York - AASFF Filmfestival, 2016, USA

Filmtage Galerie Blaugelbezwettl 2016, Austria

Festival Internacional de Cine Independiente de La Plata 2016, Argentina

Transcinema Festival Internacional de No Ficción Lima 2016, Peru

Marfici - Festival Internacional de Cine Independiente de Mar del Plata 2017, Argentina

Unexposed Film Festival 2017, USA

Cairo Video Festival 2017, Egypt

Experimental Film Festival Process Riga - Essayfilm Section 2017, Latvia

Artefact Moscow 2017, Russia

Proceso de Error - International Festival of Experimental Film Valparaíso 2017, Chile

Cineteca PUCV Valparaíso 2017, Chile

Kurzfilmkeller HFBK Hamburg 2017, Germany

International Student Triennial Marmara University Istanbul 2017, Turkey

Aricadoc - Muestra de Cine Documenta at Universidad de Tarapacá 2017, Chile

Museo de Arte Moderno Chiloé, 2017, Chile